Cheap Irina Kolesnikova London Season: La Bayadere tickets at the London Coliseum
After sold out seasons in Paris, Singapore, Johannesburg and Melbourne, the renowned St Petersburg Ballet Theatre concludes its 2015 international tour with its London Coliseum season.
Internationally acclaimed Irina Kolesnikova brings together stars of the Mariinsky Theatre and the Bolshoi Theatre in a spell-binding production of La Bayadère.
La Bayadère is an exotic and mesmerising tale of love, murder and vengeful judgement by the Gods, set in the perfumed gardens and lavish palaces of India. Although the complete ballet is seldom seen in the west, there is hardly a company around that can perform to this degree the mesmerising and revered Kingdom of the Shades sequence.
A powerful and dramatic ballet to the lyrical score by Ludwig Minkus, this full-length ballet is accompanied by The St Petersburg Ballet Orchestra.
With lavish costumes, beautiful sets and a company of 55, this magnificent production is not to be missed.
The exotic and mesmerising La Bayadere is a tale of love, murder and vengeful judgement by the gods, set in the legendary India. Set to a lyrical score by Ludwig Minkus, this powerful ballet features the frequently performed and mesmirising sequence the Kingdom Of The Shades.
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London Coliseum Seat Plan
Choose your seats from the plan of the London Coliseum above. If you're making your first visit to a theatre or you're simply unsure about where you'd most like to be seated, here's a quick guide to help you choose:
The Stalls are level with and closest to the stage. The Dress Circle (or simply the Circle) is the level of seating above the Stalls. The Upper Circle or Grand Circle is above the Dress Circle. The Balcony, above the Upper Circle, is the highest level of seating.
The threesixty Theatre is situated within Kensington Gardens in Hyde Park, close to High Street Kensington tube station. This new outdoor venue was purpose-built to house its current production, The Lion, The Witch and the Wardrobe.
This unusual circular space seats 1480 people and is built in a 'theatre-in-the-round' format. This means it has fewer rows and thus creates a more intimate theatrical experience. The spacious, newly constructed theatre tent has been carefully designed so that sound travels to all corners - and it allows lots of leg room for taller visitors too.
The threesixty Theatre is weather-proofed, so there’s zero possibility of the show being a washout, regardless of what weather conditions the notoriously unpredictable British summer may bring.
Both the inner auditorium and the imposing external structure from which it is suspended are carefully designed to allow everyone in attendance a 360 degree view, with none of the sight obstructions associated with tent-poles in traditional circus or theatre tents.
The cupola of the tent (that’s ‘roof’ to the likes of us) contains ten tons of technical equipment, including lights, sound and air conditioning. This element of the structure takes an entire day to build before the main tent goes up.
The theatre is located in historic Kensington Gardens. This area was once part of an extended Hyde Park that King Henry VIII used for deer chasing.
In the 17th century, husband-and-wife monarchs William III and Mary II took the throne and bought the home that became Kensington Palace, which they complemented with the most exquisitely beautiful gardens imaginable. The gardens were handed down through generations of the Royal Family and gradually turned into the park we see today.
Whilst visiting the threesixty Theatre, stop and take a look at the gardens’ beautiful features, which include the famous bronze statue of Peter Pan, the Italian Gardens, the Albert Memorial and the Diana, Princess of Wales Memorial Playground.
The layout, size and unique location of the threesixty Theatre add a very real sense of enchantment to the magical The Lion, The Witch and The Wardrobe.
Venue Address: St Martin's Lane, London, WC2N 4ESView Map
- Air conditioned
- Disabled toilets
- Infrared hearing loop
- Wheelchair accessible